Wild Ones glimmering new album, Mirror Touch, is available worldwide now from Topshelf Records. To celebrate, the group has released the Matthew Thomas Ross directed video for "Standing in the Back at Your Show"
"Mirror Touch considers the boundaries between self and other when creating art," explains vocalist Danielle Sullivan. "How do you know yourself when there are a thousand voices considering every angle, analyzing every choice? On this record, there are love songs, anxious songs, and songs of isolation. My favorite pop songs contain heartache in seductive packagings, like some kind of emotional Trojan horse. This is our version. It took us two years to make and we went through multiple renditions of everything. What you have now is our truest, most honest expression of the last few years. We're happy to share it with you."
For more information, visit:
Wild Ones delve into the bliss and burden that musicians are tasked with today: create work that captures your spirit, but do it without selling your soul. Self-produced and recorded, they walk the line of DIY oddity and polished pop sheen. Hailing from Portland, Oregon, the band combines the talents of lead vocalist Danielle Sullivan, keyboardist Thomas Himes, drummer Seve Sheldon, guitarist Nick Vicario and bassist Max Stein. Growing up on Cocteau Twins and En Vogue, their sound is a mash of R&B synths, muted guitar, and somber vocal melodies. After 7 years together, they've hit their stride in creating work that poses questions about art and authenticity.
Mirror Touch, the band’s latest record releasing in October 2017 via Topshelf Records, explores spaces of isolation, loneliness and how it feels when the line between self and other becomes blurred. The record title refers to the condition "Mirror Touch Synesthesia" and the physiological experience of empathy. How can you know yourself, when in public you become everyone else? The songs explore the quest to maintain artistic self-integrity in an industry that seeks to homogenize. Solitary in their process of collaboration, Himes and Vicario produce the music, while Sullivan crafts lyrics and melodies, their attempt at self-preservation against the ever-changing expectations of what music should or should not be. Combining their style of upbeat melodies with a backdrop of darker lyrical themes, an inquiry into their artistic process ultimately reflects a balance between earnest head nods to their favorite sounds with a fierce loyalty to their own sense of self.